P A L K Ó E R N E S T
n. 1958
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Besides these pieces which testify to a perfect appropriation of a refined culture of the form, specific to the Far East, another, apparently anthropomorphic cycle composed of interchangeable assemblages draws from the dynamism of the draperies of Hellenistic sculpture, interpreted in a personal key and adapted to ceramic art. Together with the preservation of the marks of the hand. A forging spirit becomes, in essence, the axis of Ernő Palkó’s creative endeavour, and thus the artist, returning to the origins of ceramics, discovers the foundations of a language of acute modernity.
Gheorghe Vida |
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Shape Divider - Style triangle_asymmetrical
